Monday, August 11, 2014

Another Perfect Day

Since my last post was criminally NOT Metal I feel obligated to compensate for it.  I believe this will make up for my transgression:

On this date in 1983: Motörhead played the first of 3 Bay Area shows on the Another Perfect Day Tour. The Keystone Palo Alto on August 11th.. The Keystone Berkeley on the 12th.. and The Stone in San Francisco on the 13th. 

Umlaut was at the Palo Alto and San Francisco shows.  In S.F. my friends dared me to go up to Lemmy at the bar and ask him why the band wasn't playing 'Overkill' on the tour.  Instead of punching me Lemmy said they'd forgotten how to play it... 

 Lemmy at The Stone, San Francisco - August 13, 1983
[Photo by Wayne VanderKuil]

Umlaut friend Teri adds:

"I went to all three shows.  I hung out with the band behind The Keystone Palo Alto for a bit and the only thing I had for them to sign was a Scorpions Lovedrive album that was in my car. I am the proud owner of probably the only Scorpions album in the world signed by Motörhead."


Friday, August 08, 2014

Not Slayer

Beyonce & Jay Z
AT&T Park, San Francisco
August 6, 2014

Sometimes Umlaut finds himself in places where he's completely out of his element.  Anyway, one thing led to another and I found myself at AT&T Park, not for a Giants game, but for the final U.S. show of the On The Run Tour featuring the world's favorite celebrity power couple.  The only other times I've seen shows at this stadium were Green Day and the Rolling Stones / Metallica which were both in 2005.

They say a picture is worth 1,000 words... so here are several thousands words about my experience on the run with Beyonce and Jay Z:

"All Access" 



After show escape Escalades

Prior to the show I spent some quality time in Catering with a couple of old school crew friends listening to their war stories about being on the road with AC/DC.  Unfortunately, the only other people in the room were roadies and stage dancers; no sign of the night's stars of course.  I also took advantage of the magic paper All Access wristband and, after 14 years of coming to AT&T Park, I finally saw the stadium's fancy luxury suites that are reserved for important people like Google (who have their own suite).  Interesting.  However, I kept my professional hat on and did not try to scam any free food from a suite.  Regrets.

 The Luxury Suite view of the civilians

What?  Oh right.. THE SHOW.   So I found myself in a seat 27 rows from the stage.  The Royal Couple came onstage and the entire stadium went nuts and I felt completely out of my element.  By the time the dynamic duo were into their 4th song I was down the street at 21st Amendment enjoying excellent food and a good beer.   After this pit stop I made my way back to the stadium, flashed the paper wristband, and watched more of the spectacle.  

 Row 27 pre-show

Row 27 panoramic during show

The sound mix was all bottom end so it should have been no surprise that there were noise complaints all over San Francisco during the shows.  I did not see any band onstage but evidently there was one "somewhere".  Evidently.  Umlaut didn't know one song the entire time he was there... However, at one point while in Row 27 I turned around and watched the rest of the stadium from the floor all the way up to the upper View Reserve seats go bat shit crazy for the Royal Couple.  It was not my scene, man... at all.

If you bought one of every Beyonce merch item you would have paid around $620.  On the way back to the car, some pimply-faced teenagers called me a fag... which I was since I had just went to see Beyonce and Jay Z.   All in all it was a night of easy adventure into a world that is not mine.  Now back to your regularly scheduled programming.  SLAAAYEER!

Saturday, August 02, 2014

Back To The Future

Kirk Von Hammett's Fear FestEvil After Party
Exodus and Special Guests  
San Diego, California
July 25, 2014

One thing led to another and Umlaut found himself landing in San Diego on a warm Friday morning.  In less than an hour this happened:

Motörhead.. "Professional"..  

If you've never been to San Diego Comi-Con (SDCC) I won't mince words:  It's a massive clusterfuck.   WAY too many people jammed into a facility that is too small; a square peg of 150,000 people trying to fit into a round hole of a convention center.  I have no idea how members of the general public have a good time at this event.  On paper it looks like a mindblowing event.  However, when you're onsite and in the belly of the beast and see the humanity strewn around the center and the surrounding streets it literally looks like the zombie apocalypse. 

Anyway, after attending to some business and watching our favorite Lead Guitarist sign a couple hundred autographs at the Nuclear Blast booth, Photo Ray and I ended up at the fantastic brew pub called Monkey Paw; we ended up there more than once over the weekend. Umlaut cannot recommend the place enough; great beer and food, a nice space, and a great jukebox (Maiden.. Motörhead..etc.).  I wish San Francisco had more places like Monkey Paw.

Then in the early evening on this warm Friday night we found ourselves back in the Gaslight District hanging out in front of a dubious looking club called F6IX with members of Exodus shooting the shit for a bit.  Evidently the club had never hosted a live band before and a proper Lock 'N Loll PA system and extensions to the stage had been brought in.  The show was a Scion sponsored event with free admission to those who submitted an online RSVP.  I was expecting it to be sweat box packed and possibly not having a good time given the fact the space was not normally a live venue.  However, the Metal Godz work in mysterious ways and tonight ended up being amazing on several levels.

After getting something to eat I hung out with some friends at a bar next door and waited for the doors to open.  Upon entering the venue I was pleasantly surprised that (1) it wasn't a dive and (2) the space was comfortably filled with mostly Metal people and not industry types.  Also, luminaries like Kerry King were casually hanging out by the bar and talking with and posing for selfies with random Metal kidz.  Pretty cool.  One thing soon led to another and I found myself behind the VIP curtain at stage left.  I must give a shout out to the security guy who was watching the VIP area because he was cool to me all night.  Thanks, bro!

Exodus Catering

Holt Awaits:  Warming up playing along to 'Seek And Destroy' on the PA

Behind the curtain, the quality hang time sitting on a comfy couch with these old friends was something I hadn't expected.  I've known at least 5 of the people who were there since before any of us could buy alcohol legally.  The Metal Godz work in mysterious ways, man.

Not long after 10:00pm Exodus stomped onto the small stage and began their first North American show with Zetro back in the band on vocals.  The lads wasted no time and immediately opened with 'Bonded By Blood' and my head left my body for a good hour.  I'm sure it's because of all of the events over the past 3 years, but hearing 'Bonded By Blood' and watching Exodus perform it again is as close to a time machine as I think I'll ever experience.  It's very magical and after 'Scar Spangled Banner' they returned to the ancient Ruthie's Inn days with 'And Then There Were None'.  Seeing Exodus in a space that was around the same size as Ruthie's Inn only magnified the Metal.

It was pretty surreal seeing Zetro back with Exodus on a Friday night in San Diego at a Comi-Con event of all places.  No offense to Rob Dukes, but I'd forgotten how important the East Bay vibe was to Exodus and how it's been missing all these years. That 510 attitude and even the way you talk to a crowd. That vibe is back and it was awesome.  

The mid-set blast of 'A Lesson In Violence' and 'Blacklist' was made even better since I was standing next to one of my oldest friends who now happens to be Mrs. Gary Holt.  Full circle...  and then the moment I'd been waiting for happened.  Anticipation was thick in the air and I know many were wondering how the moment would go as Zetro reclaimed the Exodus song that is truly his:  'Toxic Waltz' was as violent as you could hope here in the 21st Century.  Back to the future, man.. Back to the future.  "You used to do The Monkey but now it's not cool!"

The set closed traditionally with 'Strike Of The Beast' and then the encore that followed was one for the ages:  Exodus were joined by Marc Osegueda of Death Angel and the host (KRK) jamming through nice covers of 'Grinder' by Priest... then into 'Low Rider' by War (!).. then into 'Godzilla' by B.O.C... then Rob of Metallica hopped onstage for 'Seek And Destroy'.  Crazy, man. 

 [All live photos courtesy of Photo Ray]
If this had been any other night things would have ended there... but KRK had other plans and the night continued to rage as Exodus left the stage and his Special Guests joined him to keep the party going. Admittedly, the guests seemed like a random collection of band guys, but once they were onstage and plugged in things fired off nicely.  There was Marc of Death Angel, KRK, Gary Holt, Robert Trujillo, the bass player guy from King's X (?), Steve Perkins from Jane's Addiction (?), and Richard Christy from Charred Walls Of The Damned (and of course Death.. and the Howard Stern Show).  It was a very loose set of cover songs that included 'Am I Evil', 'The Real Me' (The Who), 'Diary Of A Madman', 'Trapped Under Ice', and 'Purple Haze'.  However, the most unexpectedly great song from this portion of the night was a version of 'Mountain Song' with Osegueda making everyone forget who Perry Farrell is...  As I told Marc afterwards:  "You sang Diamond Head, The Who, Priest, AND Jane's Addiction tonight?!" to which he replied "Yes I did!"  After the dust had settled on the stage this happened:

Osegueda, Umlaut, KRK
[Photo courtesy of Photo Ray]

I was actually rather giddy from all the old school energy that had just enveloped San Diego.   I had nice post gig chats with Zetro, Trujillo, and KRK and then it was back out into the warm night in search of a late night snack.  Who would have guessed that one of the greatest Bay Area Metal shows in recent memory would happen in San Diego at Comi-Con!? AMAZING..

The next day included a field trip with two of my favorite photographers, a return to the madness of the Comi-Con convention site, and another excellent session at Monkey Paw.   This happened as well:

Evil vs. Good on the Streets of San Diego

I didn't do a Kirk Von Hammet merch audit.  On the way back to the Bay Area, some pimply-faced teenagers called us fags.  We will see if I return to Comi-Con any time soon, but Exodus jumping into the DeLorean and going back to the future to get their groove back was better than any Sci-Fi, man.  Also, this was the most Comi-Con moment of the weekend:

My old friend Flipside Ted deciding his drink with D&D dice. The Geeks shall inherit The Earth.  THANKS to Lance Boom and Toby for getting me sorted for the weekend and to Slagel for the drink tickets.

Click HERE to see more of Photo Ray's epic shots from the night!

Wednesday, July 30, 2014

Department Of Youth

Peace In Rest Dick Wagner...

In Umlaut's salad days of the late-70's when I was in 7th Grade I would stop at my friend John Lutkenhouse's house after school.  Besides being World War II nerds we'd also listen to his older brother's albums; his brother was off serving in the military so we had free reign over his stereo and albums.  The 2 albums we listened to the most by far were KISS Alive! and Alice Cooper - Welcome to My Nightmare.  It's safe to say that without those 2 albums I would not be who I am today; I would be a completely different person.

"Department of Youth" (Cooper, Wagner, Ezrin)  

Of course, Mr. Wagner also played guitar on KISS - Destroyer which was another touchstone album of my youth... and also on the Lou Reed album Rock 'N Roll Animal which was an important album to me in my later years.

Peace In Rest, Dick Wagner.. Peace In Rest.

"We talk about this whole stupid world and still come out laughing.."

Monday, July 28, 2014

Don't Go Away Mad

Mötley Crüe / Alice Cooper
Shoreline Amphitheatre, Mountain View, California
July 23, 2014

Tonight was the first time I would be in the same geographic location as Motley Crue since this show 32 (!) years ago:

I hated Motley Crue in 1982; hairspray posers. I'm sure Nikki Sixx would be amused if I told him I was one of the Bay Area Metal gang in the front row in Concord on Halloween '82 who flipped him off during their entire set. I'm sure he remembers that, right?! Sixx finally flipped us off which only made us dislike Crue more. We got so enthusiastic in our dislike of Crue that at one point a security guard or roadie came over and told us if we didn't stop he'd have us thrown out. True story.

One thing led to another on this warm Summer day and I found myself at this show under the guise of being a "professional" type guy sort of...  After some pre-show Will Call drama was sorted out I had the required pass to wander around the venue like a free range chicken.

Best random conversation overheard backstage: 

Pregnant Woman: "He (her husband) took me to see King Buzzo... It was AWFUL!!" 
Husband: "It was awesome!" 
Pregnant Woman: "It was AWFUL..."

Also, this happened:


I will cut right to the chase:  Alice Cooper completely blew Motley off the stage despite his abbreviated time onstage.  Before Alice came out I was shocked by how empty the reserved seats were in the amphitheatre... WTF?!  Where were all the Sick Things!?   Thankfully, when Alice and band hit the stage the seats quickly filled and Alice had the entire crowd in the palm of his hand beautifully, from the VIPs down front all the way back to the lawn.  It seemed like many in the crowd had not seen Alice before BUT they knew all of the songs which was a rare organic music thing, man.

It was magical and unrelenting with hit after hit after hit coming off the stage:  'Hello Hooray' into ' No More Mr. Nice Guy' into ' Under My Wheels' into ' I'm Eighteen' into 'Billion Dollar Babies'.. DAMN.. and that wasn't even half way through the set.  Combine those iconic songs with Alice's standard stage props (the Frankenstein machine.. the guillotine!) and it was easy to forget who the headliner was tonight.  All of the pyro that Motley had later that night could not compare to Alice having his pet boa constrictor wrapped around him during 'Welcome To My Nightmare'.   Sometimes the old, low-tech ways of doing things are the most effective and bad ass.

 [Photo courtesy of Cable Car]

Trivia: The Nurse in Alice's show is his wife.  As Alice introduced his band I loved how he said "... and starring tonight as Alice Cooper.. ME!"  

Right before Motley came on there was a very excited commotion in the crowd in the rows ahead of us... and low and behold it was douchbag celebrity chef Guy Fieri making his way to his seat.  He obviously shares the same fanbase as Motley Crue because the men and MILFs were losing their shit at the sight of him.  Now I'm kind of hungry... Anyway..

It was pretty funny that the only times I've seen Motley Crue were on their first tour and their "final" tour;  I'm almost positive I didn't miss anything in the years in between.  As their set started I quickly became fascinated by how *off* the stage production seemed.  There were odd pyro cues that didn't seem to be synced to the songs.  The background vocals by the band and the "background singers" were a bit too "perfect" (if you know what I mean..) which only made Vince Neil's voice sound more ragged. 

The staging looked half thought through with no theme to make it, you know, a stage show.  I'm not saying all of this as a Crue hater... I'm saying it as someone who took a step back and tried to see the show objectively since the vast majority of the 14,999 people around me were losing their shit over the same things I was seeing and hearing.  Motley Crue shout AT The Devil and not WITH The Devil and I guess that's been my issue with them since 1982.   Anyway, I made an early exit as the encore started to beat the crowd... and that meant the Prius was out of the parking lot and on the freeway heading back to Casa de Umlaut in less than 10 minutes.  Too fast for love.. or something like that.

Number of people who commented on my Slayer shirt with a "WTF??" tone:  2.  It's nice to know the Slayer / Motley Crue crossover still has not happened here in the 21st Century.  If you bought one of every Alice Cooper and Motley Crue merch item you would have paid around $400 and $1,100 respectively.   On the way back to the car, some pimply-faced teenagers called me a fag.  I'm sure somewhere Baloff was unfriending me because I had seen Motley Crue again.

"Don't go away mad... Just go away." 

Friday, July 18, 2014

Old Friends

Nick Cave & the Bad Seeds
The Warfield, San Francisco
July 7 and 8, 2014

Some trivia:  These shows were Umlaut's 20th and 21st times seeing Nick Cave dating back to 1990.  It was also the 12th and 13th times I've seen him at The Warfield.  As I've said several times in this space over the years, Nick Cave is my favorite songwriter... and he's also the only artist whose art has seemed to grow with me over the years and kept me engaged.  Yes, some of his albums have left me less interested than others, but I'm not one of those fans who only listens to his "old" stuff.   I'm a fan of the complete oeuvre of Cave (fancy word... Google it..).

NIGHT ONE:   Prior to the show I met up with a couple of old friends for dinner which was a nice opening act.  Also, while passing the line in front of The Warfield on my way to dinner I ran into 2 other old friends who I had not seen in awhile.  Cave shows bring people out of the woodwork.

Mark Lanegan and his deep I-fell-down-a well-while-lost-in-the-forest voice was the perfect opener for Cave tonight.  Also, his presence was made even more valuable when he sang 'The Weeping Song' with Cave & the Bad Seeds later in the night.. but I'm getting ahead of myself.

One thing I always geek out on when Nick & the Bad Seeds come into town is how the Bad Seeds are configured onstage.  This tour's configuration seemed to have the band members more segregated than in the past but I guess it's to give Nick more room to roam.  As with the performances last year, Nick worked the stage in an aggressive way that I haven't seen since his iconic early-90's shows.  I don't know what's gotten into him but it's pretty amazing.

The old warhorses like 'Tupelo', 'From Her To Eternity', and 'The Mercy Seat' still hold up, but I think my favorite song of the night was the newest song 'Jubilee Street' with its slow build up that smashes against the wall driven by that maniac Warren Ellis on violin.  Does anyone else remember Warren when he first visited San Francisco in 1995 with his band the Dirty Three wearing an AC/DC t-shirt onstage?  It's almost impossible to imagine it's the same person.  The deep cut tonight was the very vintage 'Sad Waters' (!) which hasn't been in a Nick setlist in 11 years.   The 4-song encore was given a special nod when Nick asked a fan down front what they wanted to hear, he listened, notified the band who switched instruments, and they launched into 'Jack The Ripper'.  Nice.

After the show this happened:

The backstage action was very sedate and the only Bad Seed milling around was Jim Sclavunos; I don't think I can name another drummer who is almost 7 feet tall.  Then 24 hours later it was...

NIGHT TWO: Prior to the show I met up with several old friends for dinner which was a nice opening act.  From experience, for some reason the 2nd night is always better when seeing a band on back to back nights and this is especially true with Nick & the Bad Seeds.  Night #2 in San Francisco was even more intense right out of the gate... Although the set tonight was 1 song shorter but who was counting (I was of course.. but anyway..).  There were multiple deep cuts pulled out including 'Do You Love Me' and the extremely vintage 'Watching Alice' (!); both songs evidently have not been played live in 11 years.

Unfortunately almost 2 weeks has passed since these shows and my post show excitement and inspiration has faded with time... so writing this post mortem of these special nights isn't as fiery as I would like.  All I can finish up with is that Nick Cave is literally the only artist and musician who has kept me completely engaged as profoundly as the when I first fell into that dark space of his creativity many years ago.  It's a very rare artist who can perform a song from his first album that was released 30 years ago and have it be as menacing and relevant sounding as it did in the last century, but that's what Nick did with 'From Her To Eternity' both nights.

It's an even rarer artist who can pull the past into the present so easily and then minutes later slam the here and now down with compelling songs released only a year ago.  For those wanting to know the score, Nick & the Bad Seeds played 22 songs from his cavernous catalog over the 2 San Francisco sessions this time around. Seeing Cave is still a reality check for me about what I value about music and the experience of being a Music Geek.  Metal is like having a cold beer.  Cave is like having that cold beer followed by a glass of wine with an amazing meal.  Food analogies!  Discuss amongst yourselves.

If you bought one of every Cave merch item you would have paid around $470; as much as I love Nick his merch has always been boring.  Oh well... as long as his art doesn't suffer.  On the way back to the car both nights, some pimply-faced teenagers called me a fag.  A special shout out to The Sheriff, who has been my Cave fanboy compatriot since 2001.  It's trippy how 25 years of following an artist can go by just... like.. that:

1990 - 2013

Thursday, July 03, 2014

The Hype

Great American Music Hall, San Francisco
July 2, 2014

I literally knew nothing about Deafheaven before the show and, dog's honest truth, I had not heard one note of their music.  The only "facts" that I knew about the band going into the show was (1) they're evidently from San Francisco and (2) they're one of the most hated Metal bands amongst purests.  Both of these facts intrigued me so much that awhile back I decided to avoid listening or reading about the band until I saw them live.  My brain was hard pressed to remember the last time I went to see a band without having heard their music first.  I was curious to see if the hatred towards Deafheaven was warranted based on their music or if people hated them only because of their hipster fanbase. 

Anyway, I still don't believe Deafheaven are really from San Francisco.. but if they are I would like to know their favorite S.F. taqueria.  I think only 3 other people seemed to recognize the 'Jump In The Fire' riff when their tech played it during the changeover.  Of course, Metallica are that band their parents listen to anyway... I was also fascinated how well coiffed this "Metal" crowd was with the guys being very metro.. and no one was wearing a band tee except for me and a kid wearing a Forbidden shirt.  Awkward.  Then a hipster wearing a beanie and hipster chino shorts stood next to me but he smelled like a crust punk.  I was confused.

The set began promising with around 5 minutes of an ambient drone played over the PA as an intro tape; I liked that it wasn't the standard "Metal" intro.  Then the "local heroes" walked onstage... the packed in crowd got very excited... the band started... and then the singer started screeching.  I guess Deafheaven are called "Black Metal" because of the vocals?  If this is "Black Metal" it's the shopping mall Twilight version of it.  They'd be better if they had songs as I got bored pretty quickly.  Two songs into the set and I was also reminded how the whole 80's Post Punk sounding Metal thing confuses me.. but Agalloch and Beastmilk do it in a better and more interesting way.  Another random thought that popped into my head as I watched Deafheaven was that their crowd would be terrified at a Neurosis show.

My Deafheaven experiment ended up not being nearly as dramatic as I thought it might be.  They are an average "Metal" band whose singer is admittedly charismatic and has stage presence... but the screeching vocals subtract a lot of points.  The music isn't necessarily bad but I got bored pretty quickly.  I still don't know if all of the hate towards them is justified (there are ALOT of average Metal bands out there... ALOT..); I disliked Liturgy more when I saw them.  I am curious if Deafheaven are one of those "safe" Metal bands that serve as a gateway band for their fans to discover the real deal Metal.  Discuss amongst yourselves.

If you bought one of every Deafheaven merch item you would have paid around $160, which is weird because their fans don't seem to be a merch wearing crowd at all.  On the way back to the car, some pimply-faced teenagers called me a fag. I didn't hate Deafheaven but I did clean out my head on the drive home with another San Francisco band.

Yes, I have 490 Metallica tracks on my iPod.. and none of them are from Load, Reload, or St. Anger.  Guilty as charged... but dammit... it ain't right.

Monday, June 30, 2014

Full Circle

The Fox Theater, Oakland, California
June 28, 2014 

This show represented THE most full circle thing ever for Umlaut!   Flashback to 1984 in Berkeley, California...

[Photo courtesy of Harald O. - From Murder In The Front Row]

The teenager wearing the DEVO tee is Tour Manager Doug with members of Slayer, Exodus, Suicidal Tendencies, and Possessed.  At the time Doug was a member of Slayer's first road crew.  It's an iconic photo for many reasons, but for me because Tour Manager Doug's favorite band was Devo and he wore that t-shirt to practically every Metal show.  He suffered the abuse of his Metal peers who did not appreciate Devo but he never wavered from his support.  Fast forward almost 30 years later and that photo and friendship led to this on a Saturday night in Oakland here in the 21st Century:

This is what happens when one of your oldest friends ends up working for the first band he ever saw live in 1980 and who are also his favorite band.  Yes, that teenage Tour Manager Doug from 1984 is spending part of his Summer issuing backstage passes and looking after Devo here in the 21st Century!  The Fox Theater is not far from where that 1984 photo was taken as well.  Like I said, it's the most full circle thing EVER!  A-MA-ZING!

The pre-show backstage scene was very quiet and it took me a moment to realize it was Mark Mothersbaugh and Jerry Casale who were floating around the room.  Sadly, with the passing of Bob2 in February, this brief tour could very well be the final trek for Devo.  What impressed me is that on this tour the band is only performing songs from their formative years of 1974-77 and none of their 80's hits that made them famous.   

 [Photo courtesy of Photo Ray]

Most other bands would simply go back out on the road and play the hits, no matter how painful it might be so soon after losing a founding member and brother.  Not Devo.  This tour is a tribute to their salad days when they were weird kids in Ohio trying to figure it all out.  It's a nod back to a time when things were innocent and life probably felt indestructible for them.  The Devo-ised version of 'Satisfaction', 'Be Stiff', 'Uncontrollable Urge', and 'Jocko Homo' were my obvious touchstones that kept me engaged with the show, but I literally didn't know the rest of the songs... and I was fine with that.  Umlaut is not a hardcore Devo fan but this show was charming, emotional, and simply great.  I vicariously fed off the energy and excitement of the fans around me who understood the theme of the show and embraced it completely.  To be honest, I don't think any of the most important bands from my salad days could cause me to react like that; I'm just that jaded unfortunately.  Honesty is my only excuse.

The night closed with a song called 'Clockout' that was being performed live for the first time on this tour... and joining the band in Oakland (and I believe in Los Angeles the next night) was Bob2's son Alex filling in for his dad.

 [Photo courtesy of Photo Ray]

How full circle is that?  Bittersweet.. but still full circle.  I was introduced to Alex Bob2 Jr. briefly after the show and evidently he's a huge SLAAAYEER fan!  FULL. CIRCLE.

If you bought one of every Devo merch item you would have paid around $150.  On the way back to the car, some pimply-faced teenagers called me a fag. It was a perfectly surgical evening.  A big THANKS to Tour Manager Doug... and Peace In Rest, Bob2... and long live de-evolution!

Thursday, June 19, 2014

A Revelation

King Buzzo / Field  
Great American Music Hall, San Francisco
June 15, 2014

This space has been both the bane of my existence and my "creative" outlet for 10 years now.  Right now it's a grind for me to put words together.  It feels like homework and that's not good.  So, with this in mind, I'm trying to hit reset and basically took a month off from ranting about shows in this space. For those who care here's where I was during that time:
  • May 15th - Sammy Hagar with James Hetfield & Friends - Acoustic-4-A-Cure Benefit - The Fillmore, San Francisco.  Hetfield sang a Beatles song... Yeah.  It was definitely one of those "only in San Francisco" nights and it was for a good cause.  Oddly tickets were going for up to $500 via StubHub but Umlaut has a good friend who bought a ticket at face value only the week before via Ticketbastard.  Hmm...
  • May 17th - Scion Rock Fest 2014, Pomona, California.  I had a TON of FUN and it was cool hanging with friends. I finally saw Midnight but was disappointingly underwhelmed; they had a large crowd but would have been better in a smaller space IMO.  Orchid's first show ever in Southern California and they owned.  Saw King Buzzo solo for the first time and I was impressed.  Then I walked the streets of Pomona with him for a bit which was entertaining.  I missed Coffins but Windhand were my favorite band of the fest.
  • May 22nd - Black Cobra / The Cutthroat 9 - Slim's, San Francisco.  A satisfying evening of massive volume with my bros Jason and Rafa with support from Cutthroat 9 who feature Chris Spencer on guitar from the legendary Unsane and Will Carroll on drums from Death Angel.
  • June 4th - The Damned - Slim's, San Francisco. The band were great.  The hits were played.. but old Punk crowds are WAY more uptight than old Metal crowds.  Lighten up, Punks Not Dead.
Yes, all of these gigs should have made for interesting blog rants..  Anyway, let's attempt to hit reset, shall we?  Here we go...

The opening singer / songwriter was named Field who evidently is also the drummer for the guy who sings for System Of A Down when he does his solo thing.  Field did exactly what you would expect from an evening of "acoustic" music.  He sat on a stool with an acoustic guitar and sang as if the ghost of Nick Drake would anoint him simply for sitting on a stool with a guitar and singing.  Field's time onstage made me ponder that if Nick Drake had lived 'Pink Moon' likely would have disappeared into obscurity and never been used to sell Volkswagen.  Discuss amongst yourselves.. Anyway, before the show this happened downstairs:

The Mary Poppins Guitar
 [Photo courtesy of Photo Ray]

Half of 7 Year Bitch were also downstairs, which was a nice surprise since I hadn't seen them in a long time.  Then Buzz went upstairs and set up his own gear.

I had seen the Buzz acoustic machine play an abbreviated set last month at Scion Rock Fest 2014 and it was an epiphany.  Seeing Buzz solo was like seeing the Melvins for the first time; I thought I knew what to expect but the reality was something different... and great.. and made me appreciate music in a different slanted way.  Buzz did exactly the opposite of what you would expect from an evening of "acoustic" music. He still brought the volume.

Buzz smartly opened his solo set with 'Boris' into 'The Ballad Of Bright Fry'.  These are songs that Melvins fans know well so they were old friends.. but the solo arrangements and interpretations made them new and engaging.  Alone on stage Buzz's guitar thunders and his voice booms.  Unlike with the Melvins, the words were as crushing as the chords. It was a revelation after having only known Buzz with an electric guitar in tandom with obliterating drums and bass all these years.  Buzz solo onstage was like having Thor slam the stage with his mighty hammer.  He also chatted with the crowd and told amusing anecdotes in between songs. Buzz was downright charming.

The songs off his brand new This Machine Kills Artist album work great in a live setting with 'Drunken Baby' being my fave of the night. Halfway through the set I moved to the back of the room to get another perspective.  I was struck by how completely Buzz filled the room with his voice and presence in a different way than his band does.  I've seen the Melvins more than a few times at the Great American and it was funny seeing only Buzz's hair onstage, but it worked.  It completely worked.  A very inspired and great version of the Melvins classic 'Revolve' closed out the 70 minutes and then it was Thankyouandgoodnight.

I didn't do a merch audit but there was a shit ton of Buzz merch for sale, only 2 of which were t-shirts.  On the way back to the car, some pimply-faced teenagers called me a fag.  It's very, very cool that an artist who I've followed for so long can still engage me and remove my jaded view of things and crush it under his shoe.  King Buzzo does that. 

Friday, June 06, 2014

The Longest Day Turns 70

Today marks the 70th Anniversary of The Longest Day.  Last Fall, Umlaut accomplished a life long goal of visiting Normandy, France and the D-Day battlefields.  Calling the experience epic doesn't begin to do it justice.  Anyway, I have not been in a writing mood recently (which is why this space has been silent) but since a picture is worth a thousand words here are several thousand "words" on my pilgrimage: 

Sainte-Mère-Église [Note the tribute to Pvt. John Steele]
Sainte-Mère-Église.  This site is now a public restroom.... Awkward.
I stumbled into Carentan, France almost by accident.  If you've watched Band Of Brothers you understand why this was a big deal... Unfortunately, the plaque on the village's monument to the 101st Airborne was badly oxidized and hard to read.

 Dragon's Teeth - Juno Beach
This view is looking down on the Omaha Beach killing zone from the bluff where the Germans were entrenched in 1944.  It's now where the American Cemetery is located.

What I listened to while walking on Omaha Beach.  Maiden.  Always.

This is a panoramic shot of Omaha Beach taken from the water's edge and looking towards the bluff where the Germans were entrenched in 1944 and where the American Cemetery is now located.  I walked from the water's edge all the way back up to the top of the bluff.  Images from the dozens of World War II books that I've read since I was a kid and the scenes from The Longest Day and Saving Private Ryan almost blinded my psyche.  It was one of the most intense experiences ever and was made even more profound because I was literally the only human on the beach... which tripped me out.  As my feet sank into the sand with each step I felt like I was walking on the souls of all the dead soldiers.

Two of Robert Capa's famous Omaha Beach photos taken in the heat of combat on D-Day.

 Master Of Puppets.. The American Cemetery - Omaha Beach

I have no idea....

Pointe du Hoc.  The ground is still scarred and misshapen from the June 1944 combat.  The ruins of old German fortifications are everywhere to climb into and feel the ghosts of war. 

How do you say Master Of Puppets in German?  The German Cemetery - La Cambe, France

An Unknown German Soldier

An Unknown British Soldier.. The British Cemetery - Bayeux, France

 German Hetzer Tank Destroyer... I think.

German Panther with a shell hole in the right side of the turret that probably killed it.

Operation Overlord Cookies.  Deliciously liberating!
The American Cemetery Visitors Center - Omaha Beach

This has been my obligatory June 6th rant.  On the way back to America, some pimply-faced World War II vets called me a fag.  I'm way behind updating this space with Metal and Lock 'N Loll stuff... Writer's block is a bitch.  Stay tuned and let's see if I get my word mojo back. Until then, remember and commemorate this day: