Sunday, September 14, 2014

Kidz Talking To Kidz

Sometimes time travel does exist. For a brief moment in the mid-80's there was a Metal fanzine based in Napa, California called Crucible.  I had a mutual friend with the editors and contributed to a couple of issues when I found myself between fanzines.   Long story short,  I had completely forgotten about doing the following interview that is touted on the cover as:

"Exclusive - Lars Talks About The Incredible 8 Album Contract With Elektra"
Thanks to my old friend K.J. Doughton for pulling this out of his archives.  So, without further ado, I present this archival gem from a conversation that most likely happened in the Summer of 1984:

The 20 Year Old Me Interviews The 20 Year Old Lars Ulrich 

There are some interesting details about the band's signing with Elektra and Lars' thoughts on the state of the band at that moment.. but a couple of highlights for me are:

"Look for 20 dates or so dates with KISS..." (... it did not happen)

... and the 20-year old me NAILED IT:

"It'll be interesting to see what Metallica is up to five albums down the line. With 8 albums to work with some kind of musical change is inevitable."

"Five albums down the line" ended up being Reload...

Anyway, these 2 pages are a pretty interesting time capsule from a moment in Metallica history when Lars was still living in a rented house in El Cerrito with 3 roommates (one of whom was the legendary Clive The Dog).  It would have been very hard to imagine him attending a non-Metal event such as New York Fashion Week 30 years ago.. but sometimes the Metal (and Fashion) Godz work in mysterious ways, man.  Cue 'Escape' I guess...

"Break away from your common fashion.. See through your blurry sight.."

Tuesday, September 02, 2014

Made In Japan

Deep Purple
Mountain Winery, Saratoga, California
August 13, 2014

Yes, I'm behind with updating this space... but sometimes real life interrupts things and you have to take a break.  Hopefully the following show rant won't seem too stale after several weeks.

For the newbies, Saratoga is Silicon Valley 1% territory.  Example:  We were running late and decided to get something to eat in downtown Saratoga before heading up the hill to the winery.  After parking I asked a local Saratoga man walking his Saratoga dog if there was a Saratoga burger place where we could get something to eat.  His immediate response, and I am not making this up, was "Burgers aren't really a Saratoga thing..."  HE ACTUALLY SAID THAT!  The Saratoga man then said there might be a burger at a place at the end of the block... but when we checked it out the place literally had a $40 (forty dollar) burger on their menu.  Pass.  Then, almost immediately after this, an SUV of young Saratoga dudes stopped before making a right hand turn.  They noticed my Motörhead t-shirt and the young Saratoga dude in the passenger seat immediately, and I am not making this up, started singing "Motörhead..." to the chorus from the Night Ranger song 'Sister Christian' before they drove away.  Think about it...  I. Am. Not. Making. This. Up..  Sometimes this blog writes itself, man.  A dubious start to the night, right?

Anyway, long story short:  I had vowed never to attend another winery show after my last one a year ago.  However, the Rock Godz work in mysterious ways... and if only all shows were this easy:

I was put off that the intimate venue was only around half full... but as soon as the band started it didn't matter.  Purple opened with 'Highway Star' and for most of their 90 minute set I was entranced.  Ian Gillan had to work hard but he sounded great.. Don Airey is on keys in place of the late Jon Lord (R.I.P.) and he played an old school setup and even threw in a snippet of his 'Mr. Crowley' intro at one point.  Nicely done.  Steve Morse is still the weak link in this lineup but I suppose no one will ever completely fill Ritchie Blackmore's shoes in this band.  His guitar styling simply don't fit the classic Deep Purple sound... However, watching Roger Glover and Ian Paice dig into their rhythm section groove more than made up for any nitpicking. Glover & Paice:  The greatest original rhythm section still going IMO.  Discuss amongst yourselves.

As I said a moment ago, the venue was half full or half empty depending on how you looked at it... and Umlaut had a private rock row the entire night. 

Although I am not a musician, watching Ian Paice play again made me realize how "technique" is not something most post-20th Century drummers have.  Like most drummers of his generation he comes from a Jazz background... something that was lost to anyone born after 1970.  As overplayed as 'Smoke On The Water' is I still love when Paice's hi-hat part kicks in at the beginning.  He's still one of my favorite drummers... and still no drum riser. 

[Shitty pic courtesy of Umlaut's iPhone]

The versions of 'Strange Kind Of Woman' and 'Lazy' were really good tonight but my fave part was 'Woman From Tokyo' into 'Hush' to start the encore.  A crew guy said later that 'Woman From Tokyo' hadn't been in the setlist on this tour... which was special... and I was reminded how the song's drum intro was lifted by Maiden for 'Run To The Hills'.. or maybe it was a "homage".  After the show this happened:

Not Lars Ulrich

Ian Paice... who offered me a German beer.  You can't tell from this pic but my Inner Teenage Metalhead was losing his mind meeting him.  I guess the younger generation feels the same way about Lars... I guess.

Thanks to English Bob for the hook up.  If you bought one of every Deep Purple merch item you would have paid around $300.  On the way back to the car, some pimply-faced teenagers called us fags.  As good as Purple were on this night in 1% Saratoga, I was reminded how the majority of even "Rock Music Fans" only know the band for that one song with the riff that everyone has learned how to play on guitar... which is sad.  Listen to the Made In Japan album... right now.

Wednesday, August 27, 2014

Slay Team Redux

The exciting and unexpected sequel to Slay Team Comic!

"Nothing can save you now... You've learned a lesson in violence.." 

Early in 1985, at around the time that the Bonded By Blood album was released, a friend of Exodus created the Slay Team comic. The story was inspired by Exodus' legendary hatred of all things poser (Ratt, Motley Crue, etc.). The comic was mainly only seen by the band's local Bay Area fans and its existence was the stuff of myth and legend.

Last year Umlaut posted what everyone believed was the only issue of the Slay Team comic.  The great irony of the Slay Team Comic and its violence was that a female member of the Exodus inner circle, Lizzy Green, was responsible for drawing and creating it.  Yes, the girls raged as hard as the dudes in the original Bay Area Metal Scene!  Bonded by blood!  Death to posers.

However, The Metal Godz work in mysterious ways and in the year since the original Slay Team comic post I miraculously got back in touch with its creator Lizzy!  The Interwebs can be a magical place sometimes.  Anyway, long story short:   Unbeknown to anyone, the teenage Metalhead Lizzy had written and created a SECOND issue of the Slay Team comic that no one else had ever seen!  Somewhere Baloff is smiling.

Now, for the first time ANYWHERE Umlaut is proud to present this long lost issue of Slay Team in its entirety.  Climb into the Umlaut time machine back to those raging days in The Bay Area when larger than life humans like Paul Baloff and Toby Rage walked the Earth.

Fun stuff, right?!  Click HERE to download a .PDF of Slay Team #2 [the file is 2.5MB]. 

There is also a lesson here (besides the one about violence of course):  The lesson is that even though kidz like Lizzy and Umlaut (and MANY others) listened to Metal bands like Exodus (and Slayer.. and Venom.. and Mercyful Fate.. etc. etc.) at young impressionable ages we grew up to be responsible adults who haven't murdered anybody (at least not that I know of..).  Fast forward to 2014:

  [Photo courtesy of Photo Ray]

Pictured here are Slay Team comic artist and creator Lizzy Green (!), Umlaut, and Lisa Holt.  Friends for over 30 years and counting!  A-MA-ZING.

"You won't hear a sound until my knife's in your back... from the Exodus attack.."

Monday, August 11, 2014

Another Perfect Day

Since my last post was criminally NOT Metal I feel obligated to compensate for it.  I believe this will make up for my transgression:

On this date in 1983: Motörhead played the first of 3 Bay Area shows on the Another Perfect Day Tour. The Keystone Palo Alto on August 11th.. The Keystone Berkeley on the 12th.. and The Stone in San Francisco on the 13th. 

Umlaut was at the Palo Alto and San Francisco shows.  In S.F. my friends dared me to go up to Lemmy at the bar and ask him why the band wasn't playing 'Overkill' on the tour.  Instead of punching me Lemmy said they'd forgotten how to play it... 

 Lemmy at The Stone, San Francisco - August 13, 1983
[Photo by Wayne VanderKuil]

Umlaut friend Teri adds:

"I went to all three shows.  I hung out with the band behind The Keystone Palo Alto for a bit and the only thing I had for them to sign was a Scorpions Lovedrive album that was in my car. I am the proud owner of probably the only Scorpions album in the world signed by Motörhead."


Friday, August 08, 2014

Not Slayer

Beyonce & Jay Z
AT&T Park, San Francisco
August 6, 2014

Sometimes Umlaut finds himself in places where he's completely out of his element.  Anyway, one thing led to another and I found myself at AT&T Park, not for a Giants game, but for the final U.S. show of the On The Run Tour featuring the world's favorite celebrity power couple.  The only other times I've seen shows at this stadium were Green Day and the Rolling Stones / Metallica which were both in 2005.

They say a picture is worth 1,000 words... so here are several thousands words about my experience on the run with Beyonce and Jay Z:

"All Access" 



After show escape Escalades

Prior to the show I spent some quality time in Catering with a couple of old school crew friends listening to their war stories about being on the road with AC/DC.  Unfortunately, the only other people in the room were roadies and stage dancers; no sign of the night's stars of course.  I also took advantage of the magic paper All Access wristband and, after 14 years of coming to AT&T Park, I finally saw the stadium's fancy luxury suites that are reserved for important people like Google (who have their own suite).  Interesting.  However, I kept my professional hat on and did not try to scam any free food from a suite.  Regrets.

 The Luxury Suite view of the civilians

What?  Oh right.. THE SHOW.   So I found myself in a seat 27 rows from the stage.  The Royal Couple came onstage and the entire stadium went nuts and I felt completely out of my element.  By the time the dynamic duo were into their 4th song I was down the street at 21st Amendment enjoying excellent food and a good beer.   After this pit stop I made my way back to the stadium, flashed the paper wristband, and watched more of the spectacle.  

 Row 27 pre-show

Row 27 panoramic during show

The sound mix was all bottom end so it should have been no surprise that there were noise complaints all over San Francisco during the shows.  I did not see any band onstage but evidently there was one "somewhere".  Evidently.  Umlaut didn't know one song the entire time he was there... However, at one point while in Row 27 I turned around and watched the rest of the stadium from the floor all the way up to the upper View Reserve seats go bat shit crazy for the Royal Couple.  It was not my scene, man... at all.

If you bought one of every Beyonce merch item you would have paid around $620.  On the way back to the car, some pimply-faced teenagers called me a fag... which I was since I had just went to see Beyonce and Jay Z.   All in all it was a night of easy adventure into a world that is not mine.  Now back to your regularly scheduled programming.  SLAAAYEER!

Saturday, August 02, 2014

Back To The Future

Kirk Von Hammett's Fear FestEvil After Party
Exodus and Special Guests  
San Diego, California
July 25, 2014

One thing led to another and Umlaut found himself landing in San Diego on a warm Friday morning.  In less than an hour this happened:

Motörhead.. "Professional"..  

If you've never been to San Diego Comi-Con (SDCC) I won't mince words:  It's a massive clusterfuck.   WAY too many people jammed into a facility that is too small; a square peg of 150,000 people trying to fit into a round hole of a convention center.  I have no idea how members of the general public have a good time at this event.  On paper it looks like a mindblowing event.  However, when you're onsite and in the belly of the beast and see the humanity strewn around the center and the surrounding streets it literally looks like the zombie apocalypse. 

Anyway, after attending to some business and watching our favorite Lead Guitarist sign a couple hundred autographs at the Nuclear Blast booth, Photo Ray and I ended up at the fantastic brew pub called Monkey Paw; we ended up there more than once over the weekend. Umlaut cannot recommend the place enough; great beer and food, a nice space, and a great jukebox (Maiden.. Motörhead..etc.).  I wish San Francisco had more places like Monkey Paw.

Then in the early evening on this warm Friday night we found ourselves back in the Gaslight District hanging out in front of a dubious looking club called F6IX with members of Exodus shooting the shit for a bit.  Evidently the club had never hosted a live band before and a proper Lock 'N Loll PA system and extensions to the stage had been brought in.  The show was a Scion sponsored event with free admission to those who submitted an online RSVP.  I was expecting it to be sweat box packed and possibly not having a good time given the fact the space was not normally a live venue.  However, the Metal Godz work in mysterious ways and tonight ended up being amazing on several levels.

After getting something to eat I hung out with some friends at a bar next door and waited for the doors to open.  Upon entering the venue I was pleasantly surprised that (1) it wasn't a dive and (2) the space was comfortably filled with mostly Metal people and not industry types.  Also, luminaries like Kerry King were casually hanging out by the bar and talking with and posing for selfies with random Metal kidz.  Pretty cool.  One thing soon led to another and I found myself behind the VIP curtain at stage left.  I must give a shout out to the security guy who was watching the VIP area because he was cool to me all night.  Thanks, bro!

Exodus Catering

Holt Awaits:  Warming up playing along to 'Seek And Destroy' on the PA

Behind the curtain, the quality hang time sitting on a comfy couch with these old friends was something I hadn't expected.  I've known at least 5 of the people who were there since before any of us could buy alcohol legally.  The Metal Godz work in mysterious ways, man.

Not long after 10:00pm Exodus stomped onto the small stage and began their first North American show with Zetro back in the band on vocals.  The lads wasted no time and immediately opened with 'Bonded By Blood' and my head left my body for a good hour.  I'm sure it's because of all of the events over the past 3 years, but hearing 'Bonded By Blood' and watching Exodus perform it again is as close to a time machine as I think I'll ever experience.  It's very magical and after 'Scar Spangled Banner' they returned to the ancient Ruthie's Inn days with 'And Then There Were None'.  Seeing Exodus in a space that was around the same size as Ruthie's Inn only magnified the Metal.

It was pretty surreal seeing Zetro back with Exodus on a Friday night in San Diego at a Comi-Con event of all places.  No offense to Rob Dukes, but I'd forgotten how important the East Bay vibe was to Exodus and how it's been missing all these years. That 510 attitude and even the way you talk to a crowd. That vibe is back and it was awesome.  

The mid-set blast of 'A Lesson In Violence' and 'Blacklist' was made even better since I was standing next to one of my oldest friends who now happens to be Mrs. Gary Holt.  Full circle...  and then the moment I'd been waiting for happened.  Anticipation was thick in the air and I know many were wondering how the moment would go as Zetro reclaimed the Exodus song that is truly his:  'Toxic Waltz' was as violent as you could hope here in the 21st Century.  Back to the future, man.. Back to the future.  "You used to do The Monkey but now it's not cool!"

The set closed traditionally with 'Strike Of The Beast' and then the encore that followed was one for the ages:  Exodus were joined by Marc Osegueda of Death Angel and the host (KRK) jamming through nice covers of 'Grinder' by Priest... then into 'Low Rider' by War (!).. then into 'Godzilla' by B.O.C... then Rob of Metallica hopped onstage for 'Seek And Destroy'.  Crazy, man. 

 [All live photos courtesy of Photo Ray]
If this had been any other night things would have ended there... but KRK had other plans and the night continued to rage as Exodus left the stage and his Special Guests joined him to keep the party going. Admittedly, the guests seemed like a random collection of band guys, but once they were onstage and plugged in things fired off nicely.  There was Marc of Death Angel, KRK, Gary Holt, Robert Trujillo, the bass player guy from King's X (?), Steve Perkins from Jane's Addiction (?), and Richard Christy from Charred Walls Of The Damned (and of course Death.. and the Howard Stern Show).  It was a very loose set of cover songs that included 'Am I Evil', 'The Real Me' (The Who), 'Diary Of A Madman', 'Trapped Under Ice', and 'Purple Haze'.  However, the most unexpectedly great song from this portion of the night was a version of 'Mountain Song' with Osegueda making everyone forget who Perry Farrell is...  As I told Marc afterwards:  "You sang Diamond Head, The Who, Priest, AND Jane's Addiction tonight?!" to which he replied "Yes I did!"  After the dust had settled on the stage this happened:

Osegueda, Umlaut, KRK
[Photo courtesy of Photo Ray]

I was actually rather giddy from all the old school energy that had just enveloped San Diego.   I had nice post gig chats with Zetro, Trujillo, and KRK and then it was back out into the warm night in search of a late night snack.  Who would have guessed that one of the greatest Bay Area Metal shows in recent memory would happen in San Diego at Comi-Con!? AMAZING..

The next day included a field trip with two of my favorite photographers, a return to the madness of the Comi-Con convention site, and another excellent session at Monkey Paw.   This happened as well:

Evil vs. Good on the Streets of San Diego

I didn't do a Kirk Von Hammet merch audit.  On the way back to the Bay Area, some pimply-faced teenagers called us fags.  We will see if I return to Comi-Con any time soon, but Exodus jumping into the DeLorean and going back to the future to get their groove back was better than any Sci-Fi, man.  Also, this was the most Comi-Con moment of the weekend:

My old friend Flipside Ted deciding his drink with D&D dice. The Geeks shall inherit The Earth.  THANKS to Lance Boom and Toby for getting me sorted for the weekend and to Slagel for the drink tickets.

Click HERE to see more of Photo Ray's epic shots from the night!

Wednesday, July 30, 2014

Department Of Youth

Peace In Rest Dick Wagner...

In Umlaut's salad days of the late-70's when I was in 7th Grade I would stop at my friend John Lutkenhouse's house after school.  Besides being World War II nerds we'd also listen to his older brother's albums; his brother was off serving in the military so we had free reign over his stereo and albums.  The 2 albums we listened to the most by far were KISS Alive! and Alice Cooper - Welcome to My Nightmare.  It's safe to say that without those 2 albums I would not be who I am today; I would be a completely different person.

"Department of Youth" (Cooper, Wagner, Ezrin)  

Of course, Mr. Wagner also played guitar on KISS - Destroyer which was another touchstone album of my youth... and also on the Lou Reed album Rock 'N Roll Animal which was an important album to me in my later years.

Peace In Rest, Dick Wagner.. Peace In Rest.

"We talk about this whole stupid world and still come out laughing.."

Monday, July 28, 2014

Don't Go Away Mad

Mötley Crüe / Alice Cooper
Shoreline Amphitheatre, Mountain View, California
July 23, 2014

Tonight was the first time I would be in the same geographic location as Motley Crue since this show 32 (!) years ago:

I hated Motley Crue in 1982; hairspray posers. I'm sure Nikki Sixx would be amused if I told him I was one of the Bay Area Metal gang in the front row in Concord on Halloween '82 who flipped him off during their entire set. I'm sure he remembers that, right?! Sixx finally flipped us off which only made us dislike Crue more. We got so enthusiastic in our dislike of Crue that at one point a security guard or roadie came over and told us if we didn't stop he'd have us thrown out. True story.

One thing led to another on this warm Summer day and I found myself at this show under the guise of being a "professional" type guy sort of...  After some pre-show Will Call drama was sorted out I had the required pass to wander around the venue like a free range chicken.

Best random conversation overheard backstage: 

Pregnant Woman: "He (her husband) took me to see King Buzzo... It was AWFUL!!" 
Husband: "It was awesome!" 
Pregnant Woman: "It was AWFUL..."

Also, this happened:


I will cut right to the chase:  Alice Cooper completely blew Motley off the stage despite his abbreviated time onstage.  Before Alice came out I was shocked by how empty the reserved seats were in the amphitheatre... WTF?!  Where were all the Sick Things!?   Thankfully, when Alice and band hit the stage the seats quickly filled and Alice had the entire crowd in the palm of his hand beautifully, from the VIPs down front all the way back to the lawn.  It seemed like many in the crowd had not seen Alice before BUT they knew all of the songs which was a rare organic music thing, man.

It was magical and unrelenting with hit after hit after hit coming off the stage:  'Hello Hooray' into ' No More Mr. Nice Guy' into ' Under My Wheels' into ' I'm Eighteen' into 'Billion Dollar Babies'.. DAMN.. and that wasn't even half way through the set.  Combine those iconic songs with Alice's standard stage props (the Frankenstein machine.. the guillotine!) and it was easy to forget who the headliner was tonight.  All of the pyro that Motley had later that night could not compare to Alice having his pet boa constrictor wrapped around him during 'Welcome To My Nightmare'.   Sometimes the old, low-tech ways of doing things are the most effective and bad ass.

 [Photo courtesy of Cable Car]

Trivia: The Nurse in Alice's show is his wife.  As Alice introduced his band I loved how he said "... and starring tonight as Alice Cooper.. ME!"  

Right before Motley came on there was a very excited commotion in the crowd in the rows ahead of us... and low and behold it was douchbag celebrity chef Guy Fieri making his way to his seat.  He obviously shares the same fanbase as Motley Crue because the men and MILFs were losing their shit at the sight of him.  Now I'm kind of hungry... Anyway..

It was pretty funny that the only times I've seen Motley Crue were on their first tour and their "final" tour;  I'm almost positive I didn't miss anything in the years in between.  As their set started I quickly became fascinated by how *off* the stage production seemed.  There were odd pyro cues that didn't seem to be synced to the songs.  The background vocals by the band and the "background singers" were a bit too "perfect" (if you know what I mean..) which only made Vince Neil's voice sound more ragged. 

The staging looked half thought through with no theme to make it, you know, a stage show.  I'm not saying all of this as a Crue hater... I'm saying it as someone who took a step back and tried to see the show objectively since the vast majority of the 14,999 people around me were losing their shit over the same things I was seeing and hearing.  Motley Crue shout AT The Devil and not WITH The Devil and I guess that's been my issue with them since 1982.   Anyway, I made an early exit as the encore started to beat the crowd... and that meant the Prius was out of the parking lot and on the freeway heading back to Casa de Umlaut in less than 10 minutes.  Too fast for love.. or something like that.

Number of people who commented on my Slayer shirt with a "WTF??" tone:  2.  It's nice to know the Slayer / Motley Crue crossover still has not happened here in the 21st Century.  If you bought one of every Alice Cooper and Motley Crue merch item you would have paid around $400 and $1,100 respectively.   On the way back to the car, some pimply-faced teenagers called me a fag.  I'm sure somewhere Baloff was unfriending me because I had seen Motley Crue again.

"Don't go away mad... Just go away." 

Friday, July 18, 2014

Old Friends

Nick Cave & the Bad Seeds
The Warfield, San Francisco
July 7 and 8, 2014

Some trivia:  These shows were Umlaut's 20th and 21st times seeing Nick Cave dating back to 1990.  It was also the 12th and 13th times I've seen him at The Warfield.  As I've said several times in this space over the years, Nick Cave is my favorite songwriter... and he's also the only artist whose art has seemed to grow with me over the years and kept me engaged.  Yes, some of his albums have left me less interested than others, but I'm not one of those fans who only listens to his "old" stuff.   I'm a fan of the complete oeuvre of Cave (fancy word... Google it..).

NIGHT ONE:   Prior to the show I met up with a couple of old friends for dinner which was a nice opening act.  Also, while passing the line in front of The Warfield on my way to dinner I ran into 2 other old friends who I had not seen in awhile.  Cave shows bring people out of the woodwork.

Mark Lanegan and his deep I-fell-down-a well-while-lost-in-the-forest voice was the perfect opener for Cave tonight.  Also, his presence was made even more valuable when he sang 'The Weeping Song' with Cave & the Bad Seeds later in the night.. but I'm getting ahead of myself.

One thing I always geek out on when Nick & the Bad Seeds come into town is how the Bad Seeds are configured onstage.  This tour's configuration seemed to have the band members more segregated than in the past but I guess it's to give Nick more room to roam.  As with the performances last year, Nick worked the stage in an aggressive way that I haven't seen since his iconic early-90's shows.  I don't know what's gotten into him but it's pretty amazing.

The old warhorses like 'Tupelo', 'From Her To Eternity', and 'The Mercy Seat' still hold up, but I think my favorite song of the night was the newest song 'Jubilee Street' with its slow build up that smashes against the wall driven by that maniac Warren Ellis on violin.  Does anyone else remember Warren when he first visited San Francisco in 1995 with his band the Dirty Three wearing an AC/DC t-shirt onstage?  It's almost impossible to imagine it's the same person.  The deep cut tonight was the very vintage 'Sad Waters' (!) which hasn't been in a Nick setlist in 11 years.   The 4-song encore was given a special nod when Nick asked a fan down front what they wanted to hear, he listened, notified the band who switched instruments, and they launched into 'Jack The Ripper'.  Nice.

After the show this happened:

The backstage action was very sedate and the only Bad Seed milling around was Jim Sclavunos; I don't think I can name another drummer who is almost 7 feet tall.  Then 24 hours later it was...

NIGHT TWO: Prior to the show I met up with several old friends for dinner which was a nice opening act.  From experience, for some reason the 2nd night is always better when seeing a band on back to back nights and this is especially true with Nick & the Bad Seeds.  Night #2 in San Francisco was even more intense right out of the gate... Although the set tonight was 1 song shorter but who was counting (I was of course.. but anyway..).  There were multiple deep cuts pulled out including 'Do You Love Me' and the extremely vintage 'Watching Alice' (!); both songs evidently have not been played live in 11 years.

Unfortunately almost 2 weeks has passed since these shows and my post show excitement and inspiration has faded with time... so writing this post mortem of these special nights isn't as fiery as I would like.  All I can finish up with is that Nick Cave is literally the only artist and musician who has kept me completely engaged as profoundly as the when I first fell into that dark space of his creativity many years ago.  It's a very rare artist who can perform a song from his first album that was released 30 years ago and have it be as menacing and relevant sounding as it did in the last century, but that's what Nick did with 'From Her To Eternity' both nights.

It's an even rarer artist who can pull the past into the present so easily and then minutes later slam the here and now down with compelling songs released only a year ago.  For those wanting to know the score, Nick & the Bad Seeds played 22 songs from his cavernous catalog over the 2 San Francisco sessions this time around. Seeing Cave is still a reality check for me about what I value about music and the experience of being a Music Geek.  Metal is like having a cold beer.  Cave is like having that cold beer followed by a glass of wine with an amazing meal.  Food analogies!  Discuss amongst yourselves.

If you bought one of every Cave merch item you would have paid around $470; as much as I love Nick his merch has always been boring.  Oh well... as long as his art doesn't suffer.  On the way back to the car both nights, some pimply-faced teenagers called me a fag.  A special shout out to The Sheriff, who has been my Cave fanboy compatriot since 2001.  It's trippy how 25 years of following an artist can go by just... like.. that:

1990 - 2013