Showing posts with label Saxon. Show all posts
Showing posts with label Saxon. Show all posts

Saturday, July 25, 2015

Stallions Of The Highway

The exciting sequels to No Sleep 'Til Brooklyn, Random Rock Star Moment: Bon Scott, Welcome To Hell, and Over The Top!

A million years ago in the Old Metal Days, Wade Brooks, Trace Rayfield and Umlaut were penpals and soldiers in the Metal War.  The Midwest and East Coast Metal fans always had earlier and more opportunities to see new bands because that's where the record labels focused to break bands initially.  I remember Wade and Trace sending me photos and letters about their amazing Midwest and East Coast road trips following the bands we worshiped and who I only dreamed of seeing live until they made it to the West Coast.  One of those bands was Saxon.  Now all of these years later, Trace and Wade hit the road again in search of the Heavy Metal Thunder... so, without further adieu, here's their Stallions Of The Highway report 2015!  Time travel does exist..

The Eagle Has Landed... Again.
By Trace Rayfield
 

“Where were you in ’79 when the dam began to burst?  Did you check us out down at the local show?  Were you wearing Denim, wearing Leather?"  The immortal words of Biff Byford from the title track of Saxon’s 1981 classic “Denim and Leather”.  This was the album and subsequent tours that broke the band in America.  With the release of arguably their two best efforts the previous year “Wheels of Steel” and “Strong Arm of the Law” fans of the underground NWOBHM – New Wave of British Heavy Metal scene, like me and my best friend Wade Brooks were already “full on” hardcore fans of the band.    


 After gig party - St. Louis - 1982

It was their 1982 appearance in St. Louis supporting UFO that began our relationship with the band. We were lucky enough to spend time backstage interviewing Biff and watching founding guitarist Graham Oliver warm up for the show.  The best was yet to come as Wade and I, along with several of our friends, went to the band’s downtown St. Louis hotel for an after gig party to rival all after gig parties.  We literally took over the hotel bar for several hours of alcohol induced mayhem.  The band couldn’t have been more accommodating as they signed every autograph and posed for every picture requested.  We went on to see Saxon two more times that year supporting Krokus and Cheap Trick.  I was craving another chance to see Saxon and made the ultimate road trip to New York City to see Saxon headline at the now defunct Palladium Theatre in Manhattan. 


We had gotten pretty spoiled getting up close and friendly to our favorite bands before and after the shows, but going on a drive with Graham Oliver to listen to Judas Priest brand new release ‘Screaming for Vengeance’ would forever be one of our best memories. The setting was Alpine Valley resort and amphitheater in Wisconsin. Graham commented to Wade driving from the back seat sitting next to me “I smell petrol.” For us in America, Graham smelled gasoline. After we got back to St. Louis Wade found out he had a cracked fuel filter. Imagine cruising the back roads of Wisconsin jamming to Priest with one of your favorite guitarist like Graham Oliver.

 Graham Oliver - Alpine Valley, Wisconsin - 1982

 Warming up in St. Louis - 1982

Although Saxon continued to release strong efforts, most notably “Power and the Glory” and continued to tour the States, they just never quite made it to the level of their NWOBHM contemporary Iron Maiden with their mascot Eddie.  Then in the late 80’s and early 90’s the band had a series of set backs including the death of their manager and departure of original bassist Steve Dawson and ultimately the departure of key original guitarist Graham Oliver in 1996.  That in addition to the Grunge factor which affected all forms of Metal bands and their popularity in America and worldwide, left Saxon in a state of flux.

As the band struggled into the new millennium, it was Europe where they concentrated the rebuilding effort most.  Continual touring along with a steady diet of new releases allowed Saxon the outlet needed to regain their lost fame.  In fact they are bigger now on the Continent than at the peak of the NWOBHM.  So popular that they even headlined one night at last year’s huge Wacken open air festival in Germany which is no small feat.  

As part of the “Warriors of the Road” world tour Saxon returned to the U.S. this year for a headlining club tour with Armored Saint in support as well as four arena shows supporting Judas Priest which is where we caught up with Biff and long time drummer Nigel “Pongo” Glockler to discuss their current resurgence in America as well as Nigel’s recent near death health scare.


Biff fondly recalled their time with Priest back at the dawn of the NWOBHM as they took them on tour in Europe for what they jokingly referred to as the “Steel” tour as it was JP’s “British Steel” tour as well as Saxon’s “Wheels of Steel” tour which he gives credit for breaking them outside their home country.  This in addition to returning home to support Motörhead on their British tour proved to be the fuse that lit the stick of dynamite for the band.  When asked what it will take for them to regain their status in the States, Biff responded that more arena tours with bands like Priest as well as festival type concerts where they can reach large numbers of metal fans would be the key.

I asked Biff the tough question about any possible reunion with the original NWOBHM line up which he quickly shot down.  Hey, I had to ask.  He feels they are loyal to the current members and since they were not key members such as a singer or highly recognizable player, any plans of a reunion are for the fans to dream about.  Speaking for myself, I would love to see Graham Oliver and Steve Dawson back in the fold since they helped create the best songs they band has released.  I believe it may also have more to do with the legal wrangling between the different factions over the continued use of the name Saxon which Biff won in a court case back in the 90’s.

We enjoyed going back to the roots of NWOBHM with Biff discussing the importance of Sounds music paper and Kerrang. Social media has played a big part in the bands recent return to the U.S fans attention, something that Biff enjoys taking a part in daily on both Facebook and Twitter.  Biff enjoys posting live crowd videos of their ecstatic reception at these recent shows.  When pressed for details on the new album he would only reveal the title of “Battering Ram”, which he assured us “it speaks for itself”.  Killer title for sure on the upcoming release in October, which will mean more North American dates with a just announced run with Motörhead this September and an upcoming Euro tour this fall with Motörhead and Girlschool now being added to the bill.

We had the opportunity to talk to long time drummer Nigel Glockler, which we had met back on that tour in ’82.  He even remembered the Alpine Valley resort gig because of the unique location in the Wisconsin woods.  The conversation turned serious when we inquired about he’s recent brain surgery, which very nearly ended his playing career as well as his life.  He was in a hotel in Newcastle he recalled when he was overcome with intense head pain, which he recognized right away was nothing he had ever felt before and he was in big trouble.  He was able to contact his wife who assisted getting him into a local hospital quickly which is the only thing that saved his life.  He joked with us that if he had been in some remote European location with less than stellar medical accommodations he more than likely would be six feet under right now.  Close call for sure.  As we showed him pictures from our first encounter some 33 years ago, Nigel’s spirits quickly returned to his normal cheerful self.  Since we were surprised by the sudden departure of the previous drummer Pete Gill, we asked Pongo exactly how it came to be that he ended up in one of England’s hottest up and coming Heavy Metal bands.

 Nigel, Wade, and Trace reunited in 2015

He received a call from someone in Saxon’s camp one evening as he sat down to have a roast beef dinner at his parent’s house.  Somewhat annoyed by the interruption to the ensuing feast, he dismissed the caller when pushed about possibly joining the band on the spot, when quickly telling him “I’m going to enjoy my dinner for now”.  At first Nigel recalled little interest in making a permanent move as he was experiencing success with his current gig in British sensation Toyah Wilcox’ self titled project Toyah.  What intrigued him most about joining up with Biff and co. was being an equal member of an actual band and not a player lost in the background of a popular singer like Toyah.  It was an odd first meeting as Nigel admits he was not exactly a metal head.  When they looked him up and down as he stood there in his yellow trousers and red trainers, Saxon thought they may have made a mistake.  Of course all of that went out the window as he pounded along to their classics that he had just crash coursed the previous day or two.  The rest as they say is history.

After discussing their current state of affairs with Saxon I had to ask Biff about a couple of recent collaborations he had with some Heavy Metal heavyweights. First there was his rendition of his classic “Motorcycle Man” that he performed with Metallica at one of their 30th anniversary shows in San Francisco.  Actually what happened was “Lars called me when I was living in France back in 2009 and asked if I would join them in Paris to perform one of their favorite Saxon songs”.  It seems Lars had just read Biff’s book and realized he had not paid one of the NWOBHM founders their due.  There was a time Biff recalled that Metallica didn’t always pay them respect.  It seems they have recently recognized Saxon publicly as being influences on their early career.  After a good time was had by all in Paris, Metallica asked Biff to be a part of their 30th celebration in America which he was more than happy to do.  

 
Metallica had only played ONE show before supporting Saxon - 1982

Most recently Biff sang lead vocals on a Motörhead version of “Starstruck” which appeared on the DIO tribute “Ronnie James Dio-This is your Life” release.  I asked him how that came to be and why not a full Saxon song.  He explained that they were prepared to submit their own tribute but that Lemmy asked him to step in due to his recent health issues.  Once again it was hard to turn down a request from a legend.  In fact Biff said that this actually was the first time he had recorded with Motörhead, which made the experience that much sweeter even though not under the best circumstances.

Saxon live is a must see regardless of how many times you have seen them. Saxon always kicks ass at maximum Heavy Metal Thunder. Saxon’s set in Chicago on May 21st had to be abbreviated which we found out on the bands tour bus when Biff got the word the venue had a curfew. Every song in their set roared. Biff is a great front man who pulls the fans into each and every song. The headbanging began with Motorcycle Man and continued with Sacrifice, Power and the Glory, Wheels of Steel, 20,000 Ft, Dallas 1 PM, This Town Rocks, Princess of the Night, Crusader and Heavy Metal Thunder. Wade made the trip up from St. Louis, so seeing and being with one of your favorite bands together with your old metal mate made this show that much more meaningful. A full circle moment for sure. This was Judas Priest headline show, so we could only imagine seeing Saxon headline on their own turf with a full stage show and full set list.

"If you're taking a flight, At the speed of light, You're shaking your heads to the band, If you're there on your horse, But you're not on the force, We're taking this place to the ground."


 
 1982

"In the heat of the night, When you're fists are alight, Forged on anvils of steel, If your body's on fire, About to expire, We go to the threshold of pain.."


2015

"Pull your head back, Hold your hands high, Shake your body, If it's too loud, And you're burning hot, fill your heads, With heavy metal thunder, Heavy metal thunder."


Friday, October 11, 2013

The Power & The Glory

DNA Lounge, San Francisco
Roctober 6, 2013


I had not seen Saxon since April 1984 when they played a pair of Bay Area shows with Accept supporting.  However, I did see Biff Byford with Metallica when he joined them onstage for a rousing 'Motorcycle Man' a couple of years ago at Night One of their epic 30th Anniversary celebration at The Fillmore.  Before tonight, this was the last time Saxon played inside the city limits of San Francisco:


Crazy, right?

There were 4 support bands tonight... so I tried to time my arrival to miss most of them.  Apologies to the support bands but that's 3 support bands too many for this old man.  I entered the DNA just in time to witness Fozzy, featuring professional wrestler Chris Jericho on vocals, arrive onstage.  I basically know nothing about pro wrestling but it was obvious that there were a decent number of wrestling fans in attendance... including 2 guys wearing long coats with flashing lights attached to them. Evidently this flashy (literally..) outfit was Jericho's wrestling trademark or something.

[Photo courtesy of Harald O.]

Lame.  Anyway, I went back outside to chat with friends and noticed the Electric Cowboys leaving the building after their wrestling hero finished his set.   I've met Chris Jericho and he seemed like a really nice dude but his band is awful.  Honesty is my only excuse.  Anyway...

My old heroes Saxon arrived onstage featuring 3/5 of the classic lineup's members and charged straight into a new song that I didn't know (sorry, fellas) and then into a good version of 'Power & the Glory'.  Nice... raise your glasses high!  To be honest, I wasn't filled with as much nostalgia as I had expected since this was the first time I'd seen Saxon since those 1984 shows.

 [Photo courtesy of  Photo Ray]

Sometimes I have a hard time seeing the "older" bands from my youth here in the 21st Century.  My inner Teenage Metalhead remembers them back in the day when they ruled the world from big stages.  I guess seeing them now reminds me how time really does fly and it awakens those thoughts of mortality in my head.  Yes, sometimes Umlaut overthinks dark things... but it's true.  That said, Biff and the lads played a solid set and Biff himself still sounds and looks great at 62 years of age.  A solid selection of songs... new ones.. old classics.. and other songs I didn't know since I haven't bought a new Saxon album in 30 years.  Honesty is my only excuse.

'The Eagle Has Landed' was a nice vintage inclusion.  However, I was waiting to hear one song and one song only... because it's one of those songs that immediately takes me back to a specific time and place when I hear it.    All Music Geeks have those songs, right?  Saxon made me wait until the very last song of the night before they played 'Princess Of The Night'... but it was worth wait.

For that moment as "90 tons of thunder lighted up the sky" onstage in San Francisco once more after almost 30 years, I was taken right back to 1982-83 again.  In my head I was that teenage Metalhead again whose entire existence was Metal and NWOBHM; life was still very innocent then.  Life had not touched me with any bad times yet.  Actually, I had not experienced a lot in life in general at that time yet.  Metal was my life. To quote Saxon:

"Iron striking metal.. the sound of racing steel.. it's all I ever want to hear.. it's music to my ears.." 

This moment alone made the entire night worthwhile.  Meanwhile back in 1982 on Italian television:


Hilarious.

If you bought one of every Saxon merch item I think you would have paid around $120.  On the way back to the car, some pimply-faced teenagers called me a fag.  Ironically, Saxon would be the last band I would see in my 40's because at some point between typing this and my next post another year in my existence will have passed.  Crazy, man.. but life rolls on.

"To the power and the glory.. Raise your glasses high..."

Tuesday, November 07, 2006

Denim & Leather

The Information Superhighway can still be magically Sci-Fi to me; a place where time travel is possible. Case in point is the following awesome piece of Old Metal history from out of the fog / smoke machine of 20+ years gone.

Submitted by Old Metal Chris:

[click for larger image]

Unfortunately, this has gone missing since I moved last year. I still haven't given up hope that I'll find it. Notice the two hand-made patches I did (from an old, white t-shirt, nonetheless). The band in the larger one kinda pissed me off when they changed their logo by the time their album FINALLY came out. As you can see, the ink ran when I got hosed down at Day on the Green '85, up near the front when Metallica played. I did lose some buttons over the years. My original Metallica button from the first time I saw them at the Stone (March '83), and a button I made out of a guitar (well, bass) pick I got from Willie Lange when he was in Diamond (pre-Laaz Rockit).


Oh, on the back: Full Venom - Welcome To Hell backpatch; below, the 4" x 9" red and black Metallica patch and on top a hand-scrawled "YNGWIE" with a leather black star, cut from the swoosh of some old Nike's I had, dotting the "I".

I bought my backpatch at The Vault. Man, do you remember what a tough decision it was to pick which band you were going to "represent" back then???


Chris and I fought in the Metal Wars in the BATO (Bay Area Theater of Operations) but we never met until now; better late than never, my brutha! The Rock Godz work in mysterious ways.

For the record, Umlaut's own beloved denim vest has been decomposing in a landfill somewhere for the past 15+ years; gone but not forgotten. On the back of mine was a back patch-sized Venom - Black Metal logo that I cut out of a bootleg t-shirt I got at The Vault [Note for The Newbies: The Record Vault was the HQ of SFHM in the 80's and something else that is long gone].

Above the Venom was a large red and black Black Sabbath logo patch. To the left of that was a Tygers Of Pan Tang - Wild Cat 1980 Tour patch with a dubious history. Also of note: Although my denim is long gone, I still have the same Mercyful Fate and Armored Saint buttons that Chris preserved on his denim. METAL.

Here's a pic of me circa early-1982 in my 'ol denim before I cut the sleeves off to make it the classic vest:

The patches (L. to R.): Sabbath > Sabbath > Saxon > MSG. I lovingly sewed each patch on myself; sewing wasn't for pussies if you were putting a Sabbath patch on your denim!

Granted, I realize only a handful of you reading this can appreciate it, while the rest of you are thinking "How old are you??"... All I can say is: Let the Old Men talk!

Metal is the closest thing I've had to religion in my life and I'm a much better person for it. That handful of you reading this know what I'm on about when I admit to getting misty-eyed seeing this shot in Iron Maiden's The Early Days DVD:

It's a sea of denim-clad Maiden fans circa 1982 in the lobby of London's legendary Hammersmith Odeon... My English Metal bruthas fighting the Metal War in the ETO (European Theater of Operations) back in The Day.

Of course, the 21st Century Cool Kids seeing this picture will think it's a denim-clad Turbonegro crowd.. but hey, like, I'm "cool" with that... man.. I might be "old".. but..like.. I'm "hip" to your , like, "scene"..dude... you know... Or as Turbonegro said back in '98: "I'm ridin' high, I'm ridin' low, Prince of the Rodeo..." or as Saxon said way back in '82: "Denim and leather, brought us all together.."


Old man out.

===
Addendum: I'd forgotten about this pic... out of the fog / smoke machine of 20+ years gone..


More Metal Denim from back in The Day! September 1982: These were friends of mine from Vancouver who came down to soak up the S.F. Metal Scene. I haven't seen or talked to any of these people in almost 20 years.

Saturday, October 14, 2006

The Very Best Album Ever

It's sad how the life can be sucked out of anything by clueless and lazy people. How long did it take EMI to come up with this title for a Saxon compilation CD?? The Very Best Album Ever?? WTF?!

For the newbies, Saxon are an Old Metal band who date from the late-70's in England. It's long been rumored they were the inspiration for Spinal Tap and one of Metallica's first paid gigs was opening for Saxon in 1982. They were great in their prime, but have had a revolving cast of members since then and usually people say "They're still around??" when the band's name is mentioned today . I haven't listened to anything new by the band since around 1984.

That being said, Saxon deserved better than this! From the packaging you'd think they were some crappy New Age Jazz band.

Of course, since the label is EMI cue that Sex Pistols song.

Sunday, May 14, 2006

Head For Boarding Pass

Sent to Umlaut by Tour Manager Doug ("TMD") via Blackberry from the Oakland Airport:

"I'm standing in line for my flight to Burbank. The plane pulls in at our gate. People start to get off and one of them is Kirk Hammett. I chuckle to myself about him flying Southwest on a Supersaver fare. As I'm getting back to my book I hear someone say "Boy, they'll let anybody on these planes" and look up to see Mike Dirnt coming off the same plane. Quite the high rock star quotient on Southwest today. How many millions of records have those 2 combined for?"

Penny-Pinching Millionaire Rock Stars Rule! This was almost as good as when Umlaut called TMD when he was on tour in Poland to tell him his beloved Tommy Lasorda was waiting with me to get on an LAX > SFO flight. Click HERE to relive that magical moment.

"We were strangers in the night, both on separate flights, strangers in the night... going nowhere."