Showing posts with label Sacramento. Show all posts
Showing posts with label Sacramento. Show all posts

Monday, September 17, 2012

Road Trip

Anthrax / Testament / Death Angel
Ace Of Spades, Sacramento, California
September 14, 2012

Sometimes this blog writes itself. What should have been a surgically precise Metal Road Trip with my Murder In The Front Row co-author Harald O., the great Ian Christe of Bazillion Points and Sirius XM Liquid Metal, and Photo Ray took a very Metal turn when Harald's cell phone rang mere minutes after getting in the car. On the phone was none other than the mighty Chuck Billy of Testament asking if we could stop at the band's rehearsal space and pick up their... SMOKE MACHINE. Dude, I could not make this stuff up! Anyway, long story short, we ended up at the Oakland Music Complex picking up Testament's SMOKE MACHINE.


At this point in our Road Trip, I sort of half expected a call from Death Angel asking us to stop at their Mom's house for the sandwiches she made them for the road. Also, parked out in front of the studio was a blue Ford Festiva with a Watain sticker on it:

Cue "Out on the road today I saw a Watain sticker on a Ford Festiva.." sung to the tune of that Don Henley song 'Boys Of Summer'. Long story short, after this detour the 90 mile drive was not as hellish as expected. However, things got decidedly more upscale and New York City / European when Mr. Christe broke out the... WHITE WINE and CHEESE (??!) while the Scorpions Animal Magnetism album blasted on the car stereo.

NOT METAL... but classy... I guess.  To quote the Scorpions:  "Have you ever had a secret yearning?  Don't you know... It could come true?"

Anyway, upon arriving in Sacramento we sort of got hijacked into paying for parking by a dubious parking lot "attendant"... and then Harald disappeared as he went to deliver the SMOKE MACHINE to Testament backstage. At this point the rest of us had a decision to make: Should we risk missing Death Angel and get some much needed FOOD. I strongly suggested the latter (Sorry Death Angel!) and we found ourselves at the pub next door to the venue called Burgers & Brew. We were joined by Murder In The Front Row alumnist Chris (who can be seen in the photos on pages 97 and 99 of Murder!) for some excellent food, beers, and conversation. The meal was punctuated by me receiving a text message from the guy who sings 'Master Of Puppets'. What a nice Metal touch, right? Right after the meal we ran into Ted and Mark of Death Angel in front of the pub who confirmed that we had missed their brief opening set. Sorry, my brothers... but Umlaut will see you next month in Oakland!

Trying to enter the venue proved to be an adventure unto itself. First, a security guard told us that Will Call was across the street and wasn't willing to explain it further when I pointed out that the only thing across the street was an empty sidewalk and a parking lot. However, a 2nd security guard informed us that Will Call was actually inside the venue (DUH!)... but once we got to the Will Call window there was nobody there. So, as Testament charged through the opening songs of their set we stood waiting until the person "working" Will Call finally returned to their station. Cue impatient foot tapping... but thankfully there was no guest list drama. When it comes to gigs, Sacramento has always been a "2 steps forward, 1 step back" place and I honestly don't know why.

Testament were in full on roar when we finally got inside and it quickly became obvious that the venue was way too small for this bill. The capacity of 1,000 was filled to the brim with humanity (a high percentage of whom were wearing Iron Maiden shirts) and the air was thick with sweat and spilled alcohol. Metal. In all honesty, Testament looked great on the small onstage but the sound pretty much sucked. I'll just chalk it up to it being the first night of the tour and things weren't dialed in yet and leave it at that.

It had earlier became obvious there was way too much security and rules for a Rock venue, and this was only magnified once we were inside. Inside you couldn't bring your drinks outside of the designated bar areas.  Outside you couldn't stand in certain places in front of the venue.  We were told by the club's security not to stand on the sidewalk and to move to the bricked area next to the street... and then Sacramento cops told us we couldn't stand in that bricked area! WTF Sacramento... It probably didn't help things that the police station was only a few feet away on the next corner.

Anthrax moshed onto the stage and were entertaining as always; I always like to watch kids react to 'Caught In A Mosh'. However, the annoying rules of the venue made me choose between watching the band or going to the bar that didn't have a sight line of the stage for a beer. I chose the latter. It turned out to be a good decision because over the course of my stay in the bar I was handed 2 beers that a fan of Murder bought for me. Thanks, dude! Sorry I forgot your name, brother.

At that point, Anthrax had worked the Salt of the Earth residents of Sacramento into a frothy Metal frenzy. I then found out that Mr. Ian Christe had been ejected from the venue by the overbearing security for literally looking at one of them wrong. WTF Sacramento? I'm sure the 3 Sacramento cops hanging out in the lobby during Anthrax bobbed their heads when 'I Am The Law' was played. However, by the time that song was played we were back next door at Burgers & Brew for another round, good conversation, and a nice moment with Chuck Billy of Testament who was also there hanging with his family and friends after his set. Chuck is one of THE nicest dudes in Metal. Later, as we zoomed back towards San Francisco, Baloff was our co-pilot:

"Murder in the front row.."

If you bought one of every Anthrax merch item you would have paid $360; Anthrax had the best looking merch IMO... On the way back to the car, some pimply-faced teenagers called us fags. Yes, we drove all the way to Sacramento to basically hang out more than to watch the bands. Yes, it was worth it. Yes, it was one of the most fun nights of the year so far.

Saturday, July 03, 2010

48 Hour Marathon

The exciting sequel to 15 Hours!

Landmine Marathon

The Hub, Sacramento, CA

July 1, 2010


This was Umlaut's 6th show in 7 days... and also the first Landmine Marathon show in almost a year that I didn't have to take a plane to see.

In classic Lock 'N Loll drama, the scheduled venue (16th Street Cafe) abruptly closed the day before this gig. However, the show was quickly relocated to a new space called The Hub. There wasn't a whole lot of information about The Hub on The Internets other than shows there were usually "invite only"... but we had the address and word that the show was confirmed... so with that Photo Ray and Umlaut jumped into the teeth of rush hour traffic to hit the road North to Sacramento. When we arrived at The Hub we found out why the venue is on the down low: It's basically a 20' x 20' room behind an auto body shop!

"The Stage" as seen from The Merch Table

The tapestries on the wall covered up the windows that looked into the body shop and the cars in various states of repair. Too funny.

I IMMEDIATELY knew this was going to be one of my favorite Landmine shows. The space was so Punk Rock DIY Medieval! It was going to be like a cage match in Stalingrad.... but at least it had a clean bathroom, although "the bar" was Straight Edge.

Straight Edge Bar

I have now seen Landmine Marathon in a major concert hall, bars, a pizza place, clubs, and now in the back room of an auto body shop. Now all I need to do is see them in a house and I can stop following them... (JOKING). This was the type of space I've been wanting to see Landmine perform in... Most people would be horrified to see a band under these conditions, but not Umlaut. It was completely DIY and underground... bare bones... no place to hide. Landmine exploding in such a small confined area would define everything I love about this band.

The band went on 2nd in order to make sure they played in case the Sacramento Police Dept. showed up to close the show down, which evidently happens regularly at The Hub. So, after setting up their gear with the quickness of a seasoned touring band, the tripwire was set and Landmine detonated with 'Exist' and the room quickly became a murder scene.

(Pic by Umlaut)

Initially there was that space of cowardice as people tried to keep a safe distance from the band... but that was quickly broken down and it was like a fistfight in Hell for the next 35 minutes or so.

(Pic by Umlaut)

In an unexpectedly heartwarming moment, Landmine dedicated 'Crisscross Thoughts' to Umlaut and Photo Ray. It was extra special because that happens to be Umlaut's fave "old" Landmine song. Awww... Special. This was an insanely fun show with the crowd practically on top of the band in the tiny room. Like I said, a fistfight in Hell.

Quote of The Night: "One word: Fuck yeah, man!" - Random Kid to Landmine... except that's 3 words, dude.

If you bought one of every Landmine merch item you would have paid $80. On the way back to the car, some pimply-faced teenagers called us fags. Then 24 hours later it was...


Landmine Marathon
Kimo's, San Francisco

July 2, 2010


FINALLY a Landmine show where I could be home within 15 minutes and also Landmine's first S.F. gig since last August. I'm sure this has happened to everybody: A band asks if they can have a delivery sent to your house in advance of them arriving in your city... and then they ask if you can bring the delivery to their local gig. Am I right? Yeah, I thought so...

What was inside those boxes? MAGIC. Prior to the show Umlaut met up with Landmine as well as Aesop Ludicra and his genius son Ezra (aka The Biggest Iron Maiden Fan under the age of 10) at El Toro for that time-honored tradition amongst touring bands: Mission Burrito Sacrifice. The sacrifice was made... much salsa was spilled.

Upon arrival at Kimo's we had an hour or so to kill before load-in and spent it in time-honored San Francisco fashion: Drinking beers in a gay bar. Note: When there are dudes in a bar who sing along to every word to a Pink song you're probably in a gay bar. Not that there's anything wrong with that of course!

Landmine Marathon are a band with 2 sides: A Hardcore Punk side and a Metal side and I've noticed one of these sides becomes more dominant depending on the venue... or the crowd... or the band's mood. In Sacramento the night before it had been Landmine Hardcore... Tonight in San Francisco it was Landmine Metal and they performed the tightest, most focused set I've seen them play to date. Sometimes a steel pipe to the head is most humane of all weapons... sometimes... like tonight.

After the set opener 'Exist', Grace took command of the show by immediately closing that space of cowardice as people tried to keep a safe distance from the band. The band then played a defining performance that featured everything I love about Landmine onstage (the interaction, the unpredictability) kicked up a notch.

Landmine @ Kimo's
(Pic courtesy of Sensory Abuse)


There is always an underlying amount of theater going on when Landmine are onstage. When Grace sneers at a venue from the stage while wrapping the mic chord around her neck like a garrote and letting the mic hang like a charm around her neck it's worthy of Alice Cooper. This was Umlaut's 3rd Landmine show in 4 days and I had quickly keyed into how the rest of the band were playing at another level already as well. The Jackson bookends of Dylan and Ryan were Ginsu-like with their slicing precision and the Matt and Mike bass / drum hammer was a meat tenderizer to the ears. It's still early in this 35-date U.S. tour but, especially at Kimo's, it was obvious the band are already getting into a rhythm onstage as they pursue their bloodlust for bigger things. A blog rant like this can't communicate the energy and mayhem; Landmine Marathon needs to be experienced live in order to appreciate them. If you're lucky, some blood might even be spilled (literally).

Number of Motörhead shirts = 1. On the way back to the car, some pimply-faced teenagers called me a fag. THANKS as always to Team Landmine (Matt, Ryan, Grace, Mike, Dylan, and Valerie) for our fellowship and joy in Jesus Christ.
  • Click HERE to see Photo Ray's shots from Sacramento and Kimo's.
  • Click HERE to see Sensory Abuse's shots from Kimo's.