Showing posts with label Behemoth. Show all posts
Showing posts with label Behemoth. Show all posts

Wednesday, April 25, 2012

Sold Out For Satan

Behemoth / Watain / The Devil's Blood
Slim's, San Francisco
April 23, 2012

This show was sold out in advance. Out in front there was a kid who had driven all the way from Salinas (over 100 miles one way) who thought he would be able to buy a ticket at the door. Scalpers out front were asking up to $100 a pop. Not very cool. However, since this was the most outspoken, in your face, anti-Christian music tour of the year, it's to be expected that people would have to sell something like their soul to attend the show.

For the 3rd time I missed In Solitude because I couldn’t make it to the gig early enough. My guess is that I was inside for around half of The Devil's Blood set. The band is from Holland and they were alright with their melodies and such… but I spent their set catching up with Rafa Black Cobra, who had just gotten home from their European Tour and who was leaving in 24 hours for Black Cobra’s Australia / New Zealand Tour with Fu Manchu (is that a cool bill or what?!).

The main reason I left Casa de Umlaut tonight was Watain. It's true that the Swedes had underwhelmed me the last time they visited San Francisco just over 17 months ago, but that didn’t stop them from being in regular rotation on Umlaut’s playlist. Going into this show I was looking forward to seeing Watain again… and thankfully they did not disappoint me a second time. Watain are visually stunning onstage and this time the rest of their presentation matched that as well.

As they had on their last visit to San Francisco, the Swedes opened with 'Malfeitor' and it was go-time for Satan. Watain are edged and jagged, like a knife you find under a pile of bones that you stumbled upon in a basement and then have to plunge into the skull of a zombie that leaps out of the shadows for your throat. Watain look and present themselves like a real deal band should; I can't imagine Erik Danielsson having a day job. Watain have a confident blood smeared swagger that is too legit to quit. No, they didn't have the infamous animal carcasses onstage, but halfway through Watain’s set a kid with blood streaming from his nose was led out of the venue by security. Metal. The Swedes put San Francisco through a 45 minute abattoir of volume that culminated in a triumphant, smoldering, and majestic version of ‘The Serpent’s Chalice’. HAIL.

This show really should have been at a bigger venue. By my count this was the 3rd time Behemoth have played at Slim’s since 2007 and they could play a venue twice its 600 capacity size in this city now. For the newbies: The band’s front man Nergal was diagnosed with leukemia in late 2010 and the band’s future was in doubt. Miraculously, less than 2 years after his illness was announced, he is in full recovery and Behemoth arrived onstage to the sold out crowd chanting the band’s name. It was a hero’s welcome for a band that deserves it; Nergal has joined Chuck Billy of Testament as the mightiest men in Metal because they have both fought and defeated Death. HAIL.

Whereas Watain are like a notched blade made for butchery, Behemoth is an artful, expensive piece of aural cutlery from Poland. Where Watain hacks at an audience (literally and figuratively), Behemoth cleanly slice and serve their offerings. The Poles are riveting to watch onstage, with Nergal being one of the most charismatic front men you will ever see. Even on a small stage like Slim’s the band was constantly in motion, making sure the audience was engaged. The set opening 'Ov Fire And The Void' was an appropriate opening salvo given the band's recent hiatus and the reason behind it.

That being said, as good of a performing band as they are, the clean sharpness of the Behemoth live sound is also why it deflects off of me. Their live sound was just too clean to me when up against Watain's more organic sound. Not that it was a contest, but I have to say Watain’s savage aural butchery was more impressive than Behemoth’s clinical carving tonight. Also, unlike Watain, I can imagine Nergal holding down a real job somewhere; upper management of course. However, Behemoth are one of those Metal bands who can sell girl's tees all day long, because girls sure dig Nergal (cue girly screams). You gotta admit he's a good looking dude… AND he hates God too. Bad boys always get the chicks.

Doing a merch audit at Slim’s is always a pain in the ass because of where the merch is set up, so I didn’t do one. Although Behemoth had more merch, I felt compelled to buy some Watain merch after their set... but... alas... the tour tee I had my eye on was sold out. On the way back to the car, some pimply-faced teenagers called me a fag. As I was trying to figure out something to close this rant with I imagined Watain waiting in line at IKEA... snacking on Swedish meatballs... dressed in their tattered leathers and smeared with animal blood... having their debit card declined. HAIL.

Sunday, July 12, 2009

48 Hours Of Mayhem



Mayhem Tour
Sleep Train Amphitheatre, Marysville, CA
July 10, 2009


A Metal Road Trip with Umlaut's music journalist friends Photo Ray and Hard Rock Chick (HRC)!! SPECIAL! Sometimes arriving early at a big festival seems like a good idea until you actually do it... especially when you have to travel over 100 miles to bumfuck Marysville and its scorched Earth Summer heat. I think the weather forecast for the day was "blow torch with a chance of lava.." I was too fried from spending all day under the hot Marysville White Trash Summer Sun to do a "proper" review of this day, so I'm simply going to do a Harper's Index style list:
  • Times I heard a band say "pit" or "circle pit" to the audience = 7
  • Swastika tattoos = 3
  • Unicorn tattoos = 1
The Black Dahlia Murder: They used the Ewok 'Yub Nub Song' from Return Of The Jedi as their intro tape. NOT Metal...

Behemoth: I was half expecting the Poles to melt under the intense heat of the afternoon, but their Black Metal makeup didn't run and they blasted through a great set. However, I have to admit it was almost more entertaining seeing them backstage afterwards sans makeup... and I know HRC will agree with me.

Bullet For My Valentine: My 4th time seeing the Welsh Rock Stars and I still like them despite the fact they tend to remind me of my past professional history. No, Bullet are not Emo despite their name... and '4 Words (To Choke Upon)' is still a good song. Does that make me a Poser? Oh well...

Cannibal Corpse: This was the best set of the day for pure uncut Metal brutality; the pit action was intense and magnified by the heat like ants under a magnifying glass. At one point it was obvious someone was down in The Pit, but it took forever for the medical staff to arrive with a stretcher and fight their way to the injured. It was the only time during the day that the intensity of the crowd matched the intensity of the music.. cue 'Fucked With A Knife'.

Killswitch Engage: I watched their set on the t.v. monitors in the VIP bar... unlike the last time I saw them, at least the guitarist didn't brag about being a pedophile in between songs.. but I can't imagine they were much better in person versus the t.v. monitors. Plus, they somehow think it's cool to wear those novelty t-shirts with a tuxedo printed on the front onstage.. NOT Metal.

Slayer:
The masters opened with 'God Hates Us All' > 'War Ensemble'... AND they're playing 'Ghosts Of War' on this tour! Despite the GA floor, this was probably the tamest Slayer crowd I've ever seen; about 1/2 of the people around me were sitting down! WTF... but the band's solid 60 minute set was awesome as usual.. There were no Marshall cabinets arranged into upside down crosses onstage this time, but they made up for it with FIRE:


Slayer!! Fire!
(Vid by Umlaut)

I've been following Slayer since Day One... and I still love them long time. Awww...

(Sidebar: Umlaut needs to upgrade his point & shoot camera to one with (1) a better microphone that can handle high volume levels and (2) one that is good with low light situations sans flash. If anyone has brand / model suggestions please e-mail me!)

Marilyn Manson: I completely missed his set because Paschke invited me to visit the Angel Of Death's tour bus with him, where that band's new album was played for us. Yes, it's FUCKING GREAT!!!

For the second time within a week this concert was also punctuated by a weird encounter with an "ex" from my professional life... which was a bit awkward.. but it was a good thing I had business cards with me. Fook 'em.

Holy shite, the drive back from bumfuck Marysville is brutal... Cheers to Photo Ray for driving; I owe you one! I didn't even bother doing a merch audit. On the way back to the car, some pimply-faced teenagers called us fags. As I pulled off the freeway towards Casa de Umlaut my normal route was blocked by some heavy police activity around the local gas station... Friday Night Crimes!

Mayhem Tour
Shoreline Amphitheatre, Mountain View, CA
July 11, 2009




Since I wanted to coordinate my arrival with some colleagues, I was able to hang out and chill at Casa de Umlaut for most of the afternoon. Although the previous day had been good, this was a different Mayhem experience than bumfuck Marysville.. It was a more relaxed day for me, mainly because some underlying professional drama that had distracted me in bumfuck Marysville was basically resolved in Mountain View. Longtime readers know that I live to see concerts, but I can't remember the last time I was in such a good mood at a show. Anyway, here's the long and the short of the day from my perspective:

Behemoth: I arrived too late to see their set, but as I entered the backstage common area the Poles were eating sans makeup. I was taken aback that these beings, who appear to be inhuman Metal Gods onstage, eat common food like mere mortals and even use common human eating utensils. Shocking...

Job For A Cowboy: They're not necessarily bad, but I've never been able to get past their name...

Trivium: I've never liked this band, even when they were helping to pay my mortgage... and I thought it was funny that the bassist is all short-haired and GQ now when he used to try so hard to be Metal.

Bullet For My Valentine: While attempting to get to the side of the stage to watch Bullet's set we had to deal with a clueless venue security person who didn't understand the meaning of "All Access". However, Bullet's set paled in comparison to their bassist's chick stalking moves later that night...

Cannibal Corpse: My Harper's Index of things thrown during CC's insane 40 minute set:
  • Beers, Bottles, and/or Drinks: 16
  • Cell Phones: 1
  • Garbage Cans: 3
  • Hats: 10
  • Jackets: 2
  • Lit Packs of Firecrackers: 2
  • Shirts: 3
  • Shoes: 10
(Pic by Umlaut)

Dude, the crowd was out of control!! It was the only time during the day that the intensity of the crowd matched the intensity of the music.. cue 'Fucked With A Knife'.

Killswitch Engage: I watched their set on the t.v. monitors in the Angel Of Death's dressing room... but I can't imagine they were much better in person versus the t.v. monitors. Plus, they somehow think it's cool to wear those novelty t-shirts with a tuxedo printed on the front onstage.. NOT Metal.

Note: At this point I must give a HUGE THANKS to HRC for upgrading me to the 3rd row!

Slayer: They say a picture is worth 1,000 words... well here is one thousand words about Slayer from this night..

Kerry King amid fire and smoke onstage from the 3rd row
(Pic by Umlaut)


I can't remember the last time I watched Slayer from this close with the volume from the PA moving my clothes.. According to the Umlaut Archives this was at least my 17th time seeing Slayer dating back to 1984... and I'm pretty sure I said "Amazing!" out loud after almost every song.. with the set closing sprint of 'Angel Of Death' > 'South Of Heaven' > 'Raining Blood' being one of the highlights of my year. In addition to my senses being assaulted from the stage, my head was spinning (in a good way) about the professional drama that had basically been resolved during the day. I actually got kind of emotional as I thought about that drama and the juxtaposition of it with fucking Slayer being onstage right in front of me again. Yes, I'm the type of sensitive guy who can get emotional about Slayer. Does that make me a pussy? If so, then let me be guilty..

Marilyn Manson: I hadn't seen Manson live in 12 years and was not planning to watch his entire set, but since I found myself in the 3rd row I got caught up in the moment. I suppose Manson is trying to create theater onstage, and since I was in such a good mood I went with it. Some of the shtick was silly of course, like having a roadie give him a bottle of water, take only ONE sip every time, and then either throw it down or give / toss it to someone in the front row; I regret not counting how many times he did that. Kudos to any of the Manson Kidz in the front row who got one of the water bottles;they now have some Manson DNA for their collection and / or Ebay.

Manson amid confetti and smoke from the 3rd row
(Pic by Umlaut)

There were also a couple of "wardrobe people" onstage who would alternately bring Manson different stage clothes or props and / or an oxygen tank so he could take a hit. Silly.. but in the end I was surprised that I actually enjoyed his set, although I only knew 2 songs.

For the third time within a week this concert was also punctuated by a weird encounter with an "ex" from my professional life... which was a bit awkward.. but it was a good thing I had business cards with me. Fook 'em.

Then it was time to go home and sleep! I didn't do a merch audit again. On the way back to the car, some pimply-faced teenagers called us fags. As I started the drive back to Casa de Umlaut, my iPod on shuffle played 'South Of Heaven'. So... fucking... perfect.. Dude, the lyrics perfectly reflect events that are going on in Umlaut's World right now. To quote the mighty Slayer:

"An unforeseen future nestled somewhere in time.
.
Unsuspecting victims, no warnings, no signs..

Judgement Day, the second coming arrives..."


Amen.